Looks like the D800 has arrived
Discussion
http://fstoppers.com/gear-the-nikon-d800d800e-is-o...
$4000!
Bit steep for my wilting wallet. Looks impressive enough but quite a departure from the D700 by the sound of it.
$4000!
Bit steep for my wilting wallet. Looks impressive enough but quite a departure from the D700 by the sound of it.
RobDickinson said:
Well the article is wrong.
You buy a D4 for 12fps or whatever.
4fps isnt going to cut it for the sports shooters!
FPS is a by-product. You can't go from 12 Mp to 36 Mp without incurring a penalty in high-ISO noise; it's simple physics.You buy a D4 for 12fps or whatever.
4fps isnt going to cut it for the sports shooters!
But all our needs are different and if someone really needs 36Mp then this will please them.
ETA: A brief review - www.engadget.com/2012/02/06/nikon-d800-hands-on/
Edited by Simpo Two on Tuesday 7th February 08:05
Something that I'm curious about is that a lot of people have said that 36mp will be beneficial to landscapers. I can sort of see why but I've also read people saying that it'll be great for portraits and studio work (where the D3X was also aimed at) but I'm not quite sure why portraiture benefits from this? Anyone care to fill me in?
Well, at the moment, a real oddity seems to be the "E" version. Any views?
However (not seen a confirmed price point yet) it looks to me to be pitched at those wondering about a D3s second-hand. The video capabilities would be better. The 64,000 ISO would be adequate. The ability to tie on an extra brick might be useful. I like the sound of the "extended dynamic range" in camera trickery. It's lighter than a '700. And I am imaging it with a 17-35 f/2.8 or an 85 f/1.4 already.......
(It would even be neat with a 45 f/2.8 Ai-P ......)
ETA "imaging" seems such a good freudian slip I think I shall leave it in....
However (not seen a confirmed price point yet) it looks to me to be pitched at those wondering about a D3s second-hand. The video capabilities would be better. The 64,000 ISO would be adequate. The ability to tie on an extra brick might be useful. I like the sound of the "extended dynamic range" in camera trickery. It's lighter than a '700. And I am imaging it with a 17-35 f/2.8 or an 85 f/1.4 already.......
(It would even be neat with a 45 f/2.8 Ai-P ......)
ETA "imaging" seems such a good freudian slip I think I shall leave it in....
Simpo Two said:
You've signed up for a D800?
Didn't I just say "don't tell anyone"???
(Mid march delivery, possibly - has GC got a date for his D4 yet?) I opted for the standard, although they did question me closely about whether I wanted the "E"!!!Simpo Two said:
Now you only need a wide angle lens; for all other magnifications just crop 
I'm selling my 10.5mm - doh! 
That could have been so useful for wildlife!!! Nikon has just announced a groundbreaking new 36.3 megapixel FX-format professional D-SLR, the Nikon D800 today. Designed to answer the needs of tomorrow’s photography and video today, the masterful Nikon D800 is packed with new technology that delivers unprecedented levels of depth and detail in photography, and offers all the flexibility necessary to shoot broadcast quality video.
Firmly establishing a league of its own, the Nikon D800 offers imaging potential to rival medium format cameras, but with all of the agility of the D-SLR format — giving professionals who demand attention to detail the freedom to create monumental images. In an industry first, this exciting launch includes a special edition of the D800 – the Nikon D800E. With a modified optical filter, the D800E offers a unique alternative for those seeking the ultimate in definition.
Key Features:
36.3 megapixel FX-format (full-frame) CMOS sensor with high signal-to-noise ratio, wide dynamic range and 12-channel readout.
ISO 100–6400: extendable up to 25,600 (equivalent) and down to 50 (equivalent).
4 fps consecutive shooting in FX/5: 4 crop modes. 5 fps in 1.2x/DX crop modes.
Multi-area D-Movie records FX- and DX-format Full HD (1080p) movies in 30p, 25p and 24p. Max recording time approx. 29 minutes 59 seconds. Offers uncompressed HDMI output to external devices and high-fidelity audio control.
Multi-CAM3500FX 51-point AF system: individually selectable or configurable in 9-point, 21-point and 51-point coverage settings. Sensitive down to -2 EV (ISO 100, 20°C/68°F).
EXPEED 3 image processing engine with 14-bit A/D conversion and 16-bit image processing for superb tonal gradation.
8 cm (3.2-in.), 921k-dot LCD monitor with auto brightness control anti-reflective, with wide color reproduction.
3D Color Matrix Metering III: 91k pixel AE AF sensor with full-time face recognition.
100% viewfinder coverage and three Crop Modes: 5:4, 1.2x and DX-format, with viewfinder masking.
Quiet shooting mode: perfect for discreet photography, the sound of the camera’s mirror return mechanism is noticeably reduced.
Highly accurate and durable shutter unit: standard rating of 200,000 cycles, with a maximum shutter speed of 1/8000 sec and flash synchronization at up to 1/250 sec.
Storage media: CF and SD card slots.
Built-in i-TTL Speedlight: GN / guide number approx. 12, 24mm lens coverage.
Durable Magnesium alloy body: moisture and dust resistant.
Wireless LAN and Ethernet support via optional Wireless Transmitter WT-4.
Nikon D800E
The D800E is a special edition of the D800, specifically designed for those seeking absolute definition.
Modified to deliver unprecedented sharpness, its 36.3 megapixel FX-format sensor features an optical low pass filter with anti-aliasing properties removed.
The ideal tool for photographers who demand attention to detail.
36.3 megapixel FX-format (full-frame) CMOS sensor
ISO 100–6400: extendable up to 25,600 (equivalent) and down to 50 (equivalent).
4 fps consecutive shooting in FX/5:4 crop mode. 5 fps in 1.2x/DX crop modes.
The new multi-area mode Full HD D-Movie records FX- and DX-format Full HD (1080p) movies in 30p, 25p and 24p.
My move to FX should fall in this product cycle and right now the D800 looks the better choice for what I'm likely to use it for. I don't need the D4's 12fps or ultra-high ISO, instead I'll take solid performance at cooking ISOs (really don't see me shooting beyond 3200/6400) and an increase in pixel count to afford me a range of options when printing.
No deposit yet, though, but would be interested in hearing first hand opinions when they reach people's hands. Hope to try one at Focus also.
No deposit yet, though, but would be interested in hearing first hand opinions when they reach people's hands. Hope to try one at Focus also.
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