Sigma 10-20
Author
Discussion

4Lmike

Original Poster:

1,910 posts

199 months

Sunday 16th October 2011
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What's all the fuss about? I heard it was supposed to be sharp but I'm just not seeing it...it's no sharper than the 18-55 kit lens I used to have. Not really gelling with it to be honest.

curtisl

1,406 posts

235 months

Sunday 16th October 2011
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I'd swapped mine for a 70-200 F4L and so glad I did. They are obviously very different lenses but I was quite disappointed with the sharpness. I have heard that the IQ varies from lens to lens on the 10-20mm.

I got it for architecture but never got the chance to use it in that capacity but I still managed some shots I was happy with before it went. All in all it was a bit of an anticlimax for me.

Bob_Defly

5,849 posts

260 months

Sunday 16th October 2011
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I sold mine and got the Tokina 11-16mm instead, much much better IMHO.

RobDickinson

31,343 posts

283 months

Sunday 16th October 2011
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Seems some arnt that special. Mine was ok on the 350d but not great on the 7D.

dxbtiger

4,546 posts

202 months

Sunday 16th October 2011
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Which one did you get Mike?

This is on my shopping list for the end of the month..

Crafty_

14,090 posts

229 months

Sunday 16th October 2011
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I think the problem with them is the inconsistency, if you get a sharp copy its fine, just the luck of the draw.
One thing I noticed is that its not just one issue - there seem to be a few complaints (e.g. soft on the corners, down one side etc).
I'm looking for a UWA and ruled it out because of this and the naff build (I used a tamron at the same time and thought that was better built).
I think i will end up with the the canon 10-22.
Tokina 11-16 a bit too restrictive, put off of the 12-24 because they aren't great with flare and its not much cheaper than the canon.

dxbtiger

4,546 posts

202 months

Sunday 16th October 2011
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Is there an idiots test that can be performed in a shop to make sure you haven't got a dud?

Speed addicted

6,329 posts

256 months

Sunday 16th October 2011
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Mine seems fine, but I do generally keep it for landscapes so I might not notice any lack of sharpness.

4Lmike

Original Poster:

1,910 posts

199 months

Sunday 16th October 2011
quotequote all
I got the EX DC HSM Nikon fit. I think it would be fine for landscapes but for things like city scapes it doesn't quite give the detail I'd like.

Is the tokina sharper bob?

Simpo Two

92,708 posts

294 months

Sunday 16th October 2011
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Bear in mind the 10-20 is a relatively cheap indy lens; both Canon and Nikon have UWAs that are no doubt better - you just have to pay more...

http://www.warehouseexpress.com/buy-nikon-10-24mm-...

Or this one for the FX crew: http://www.warehouseexpress.com/buy-nikon-14-24mm-...

Edited by Simpo Two on Sunday 16th October 12:18

JDRoest

1,126 posts

179 months

Monday 17th October 2011
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I read something recently (no idea if it's true) about lenses and sharpness. Thought I'd share quickly.

Essentially they (the writer of the article) suggested that a body would have a certain spread of quality, lets say a +2 sharpness to -2 sharpness. And a lens would also have the same quality spread. In the unfortunate circumstance that you had a -2 body and a -2 lens, you won't have a happy time. However, have a +2 and a -2 and your a focusing genius.

The whole point about sending cameras and lenses off was to ensure that everything matched and gave a good result. Not sure how.

Anyway, no idea if the above is hocus pocus.

Simpo Two

92,708 posts

294 months

Monday 17th October 2011
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Body/lens combos can be matched, but higher-end DSLRs often now have a fine tuning feature you set for each lens. Whether it is enough to compensate for a Friday afternoon Sigma is another matter!

(I tried a Sigma 20-40mm lens once and it was so far out it needed glasses!)

JDRoest

1,126 posts

179 months

Monday 17th October 2011
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Crafty_ said:
I think i will end up with the the canon 10-22.
Tokina 11-16 a bit too restrictive, put off of the 12-24 because they aren't great with flare and its not much cheaper than the canon.
I wouldn't discount the Tokina without appreciating that it's an f2.8 lens on the full zoom range. The difference between 10 and 11mm is not much, maybe you have to stand a couple of feet further back (if that), and at 16mm you might have to stand a couple feet further forward. But I have to say that I rarely use 16mm on my Tokina.

However, what is very nice is a constant f2.8 throughout the zoom. As for build quality, the Tokina really is a nice lens to own and puts a lot of lenses to shame.

RobDickinson

31,343 posts

283 months

Monday 17th October 2011
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If you want really wide theres the sigma 8-16mm, its a fantastic lens, best in class easily, but it is a pain to use filetrs with.

Also there is a 12-24 mkII which is a whole lot better than the old one.

Remember the sigma 10-20 is more like 10.9mm anyhow, so 11mm may be only a touch narrower.

I'm considering changing from 10-20 to 10-22 or 11-16 but then I think I will end up with a FF body soon so that changes everything.

Gad-Westy

16,568 posts

242 months

Monday 17th October 2011
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RobDickinson said:
If you want really wide theres the sigma 8-16mm, its a fantastic lens, best in class easily, but it is a pain to use filetrs with.
Is it even possible? I'd ruled it out as I wanted to use filters and that didn't seem to be an option. Most reviews have it down as a superb lens.

I went for the Tokina 11-16 in the end. Utterly brilliant and highly recommended but obviously more costly than the Sigma 10-20. I paid £400 for a used one.

jimmy156

3,834 posts

216 months

Monday 17th October 2011
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JDRoest said:
I read something recently (no idea if it's true) about lenses and sharpness. Thought I'd share quickly.

Essentially they (the writer of the article) suggested that a body would have a certain spread of quality, lets say a +2 sharpness to -2 sharpness. And a lens would also have the same quality spread. In the unfortunate circumstance that you had a -2 body and a -2 lens, you won't have a happy time. However, have a +2 and a -2 and your a focusing genius.

The whole point about sending cameras and lenses off was to ensure that everything matched and gave a good result. Not sure how.

Anyway, no idea if the above is hocus pocus.
This one? Makes sense to me!